A Critical Review of the Indiana Jones Canon

A Critical Review of the Indiana Jones Canon

Saturday, December 22, 2012

Entry 37: Mystery of the Blues


Indy Timeline: 1950 and 1920

Mystery of the Blues opens with a great treat for fans of the franchise.  There is a car chase in the snow in which Indy and his Native American companion must escape some goons who are in hot pursuit.  However, the twist is that this Indy is not Sean Patrick Flannery nor Corey Carrier- it is Harrison Ford himself!  Filmed in 1992, roughly the same time that Ford was working on "The Fugitive," he has a grizzly beard, but is still clearly Indy.  Seeing Ford reprise this role here, just a few years after Last Crusade, made me wistfully wonder what might have been had they not waited so long to make Indy 4. 

Unfortunately, his role in the episode is little more than a cameo for the larger story, told in flashback.  The first half of this story puts Indy in Chicago.  He is an archeology student, working as a waiter for a jazz club to pay the bills.  It may be prohibition, but it is clear that the booze is still flowing in these clubs. 

I liked the notion of Indy being a fan of black jazz, hanging out with the musicians, and even trying to learn to play a bit himself.  Indy in a smoky speakeasy with sexy music and dynamic people makes a lot of sense.  There are some interesting characters here, especially Jeffrey Wright's portrayal of Sydney Bechet.  (Incidentally, Wright plays Felix in the new Bond movies, marking yet another crossover between the Bond and Indy franchises.)  Wright gets to deliver great bits of wisdom connecting his music philosophy with life, with lines like: "there's a reason, maybe not a rule, but a reason for everything."  He also introduces Indy to a number of other famous jazz musicians of the era, including Louis Armstrong. 

There are some intense discussions about race relations along the way.  Indy's experiences in the clubs are contrasted with his white friends on campus, who are decidedly less interesting in comparison.  Indy is derided for playing "brothel negro music" that is not respectable at a campus event. 

Unfortunately, the second half of the episode focuses more on these people.  Indy's square roommate in college turns out to be Elliott Ness.  The two of them team up with Ernest Hemingway to solve a murder when the owner at Indy's restaurant is shot dead in cold blood.  A cheesy detective caper follows.  While it isn't a bad little adventure, it didn't grab me as much as I had hoped.  The action is more slapstick and goofy than exhilarating.  It is nice to see Hemingway return for another episode, but he doesn't have the same edge and biting wit I would have expected and hoped for.  Ness is portrayed as a complete twit.  By and large, this part of the episode is forgettable. 

The episode closes by returning to Ford and his Native American companion for a conclusion that is extremely cheesy and must be seen to be believed. 

In sum, Mystery of the Blues is yet another installment of the "Young Indy" franchise that is uneven - not "bad," but not that great either.  This episode is far from the worse that the series has to offer and is bolstered by having Ford in the beginning and some dynamic characters for the first half story, but comes up a bit short in delivering a great young Indy story from start to finish. 

Indy Rating: 7.5/10

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